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The Neumann TLM 49, a large diaphragm cardioid condenser microphone. Output impedance was wired at 200 Ohms from the factory. Because the grille is slanted and presents a continuously varying profile to the capsule, there are fewer standing waves generated. The TLM 49 design is inspired by that of the legendary M 49 … With the release of the TLM 49, are we now just one step away from Neumann releasing a new-generation ‘47’? To my knowledge, the M49s were mostly used not at ‘zero volts’ but at a ‘best cardioid’ setting. Many engineers, these days, long for the smooth sound of classic tube microphones of the 1950s. Maintaining output level required a change in the polarization voltage circuitry. In 1961 Neumann introduced the M 249 for use in broadcast. Production M 49 microphones incorporated the following major component changes: All M49 models after 1957 had a “cardioid only” switch built in, to achieve a 4dB s/n improvement [as compared to setting the pattern] remotely, from the power supply. This simplified way of testing out new sounds was created by Herbert Großkop and purchased by Neumann for use in the M-49. M49 capsule/circuitry photo credit: Oliver Archut. On the M 49, the jewel is red. According to Neumann historian Anselm Roessler, Neumann acquired the rights to this invention for use in the M 49. Text: Andy Stewart The ‘retro’ design of the new Neumann TLM 49 is unmistakably reminiscent of the legendary Neumann M49, with its bulky … Whereas the U-47’s circuit would disconnect the capsule’s rear diaphragm in Cardioid mode, in the M 49 both diaphragms were always polarized — the front at a constant 60Vdc, and the rear from 0Vdc to 120Vdc. The mic was released in 1951. Vintage King's Los Angeles and Nashville showrooms are available for curbside pickups. JavaScript seems to be disabled in your browser. (The K49 was K47 capsule, identical in every respect but the name.). Despite being used predominantly on vocals, both in the studio and in the live setting, the mic was also used for instruments, especially monumental brass and drum tracks. 1. (According to Martin Schneider, The M149’s Cardioid setting does not set the capsule’s rear diaphragm to 0Vdc, but rather to a small positive voltage, in order to widen the K47/K49 capsule’s native supercardioid-ish response with a small amount of the rear diaphragm’s in-phase signal.). This microphone is versatile for almost any application you may have for it, whether it is studio, broadcasting, vocal or even instruments. Neumann TLM 49 Cardioid Condenser Mic The Neumann TLM 49 is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound which is especially optimized for vocal performance. Another new innovation was that the mic maintained nearly equal sensitivity and output level across patterns — unlike the U-47, for example, which was 5dB hotter in Cardioid than Omni. © 1993 - 2020 Vintage King Audio All Rights Reserved. 2 weeks ago | Show parent #56. chessparov2.0. The Neumann M 49 is also known as: M49, B-M49. Like its omnidirectional sibling, the M 50, the M 49 was initially released with a Hiller MSC2 tube, soon replaced by the Telefunken AC701 subminiature triode. The remote-control potentiometer system was developed by Herbert Großkopf of NWDR (Nordwestdeutscher Rundfunk). Thanks to an innovative remote-controlled pickup pattern, an engineer could easily adjust the direction of the microphone without leaving the confines of the control room. 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