The microphone sits comfortably in the shock mount and is held in place by a screw collar at its base. We would wager that most people in the market for a condenser mic of this type would have vocal recording in mind – they wouldn't be disappointed. The NT1's top end silkiness is crucial here. RØDE’s AI-1 Audio Interface is stacked with incredible technology to ensure recording on your computer is easy, versatile and sounds superb. MusicRadar verdict: The performance from this affordable large diaphragm condenser is truly exceptional, making it a smart choice for vocals, guitars and more. The Rode NT1-A is a condenser microphone, and like many condenser microphones requires a little more power to get it working. Heavy due to all-metal body. We recommend the Focusrite Scarlett 2i2 for most people, but you can check out our list of the best USB interfaces to decide for yourself. Future Publishing Limited Quay House, The Ambury, The most common XLR cable for microphones feature 3 pins. For those just getting into recording, the RØDE NT1-A comes packaged with everything you need to start recording other than the mic stand and an interface. © You can kinda see the capsule in the photos, but it’s placed in such a way that many people wind up trying to record themselves off-axis, which isn’t great. Visit our corporate site. It was released in 2003 and is still going strong, so what makes it so appealing? That isn’t the case here. Everything about the Rode NT1-A makes it perfect for recording vocals. Rode's revised NT1 condenser microphone might look similar to the NT1A but it has been completely redesigned from the ground up – the only feature it shares with the NT1A is its mesh grille. The current version of the Rode NT1 was created after the NT1-A. With a 20′ XLR cable, there’s plenty of length to cover the distance between the mic and interface/mic panel in almost any situation. Lack of pad makes close-mic'ing loud sources tricky. The Rode NT1-A comed with a bracket to minimize vibrations while recording. If you don’t want to, or can’t yet pick up a good pop filter, this is one way to solve the issue. There is hardly any here – Rode's R&D efforts bear fruit here. Both mics have very low self noise and overall produce a lovely sound. Of course, nothing is perfect and the annoying sibilance issues and the need for phantom power to properly power it is definitely an inconvenience. For vocals, the NT1 is crisp and detailed, with plenty of warm low-end body in the mix and nothing absent or poking out in the midrange. The NT1 has a sleek, fuss-free and clean design – with no switches for bass roll off or a pad. We would happily used it as a drum overhead or perhaps on piano. Technically, this just means that at some points the microphone is playing certain frequencies louder (bumps) or quieter (dips). 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